Industry jargon not your thing? Our glossary will enlighten you!
The camera team is an indispensable part of every film and television production. It is responsible for operating a camera and therefore for recording the action in front of that camera. Depending on the specific assignment, a camera team consists of different members.
In order for a camera team to perform its tasks to the complete satisfaction of everyone involved, a minimum number of people are required.
The industry standard usually comprises these four people or positions:
Camera
Assistant
Lighting
Sound
The actual size of the team will depend on the actual production requirements of the project in question. For film and cinema productions, the respective positions are again tailored to the requirements and subdivided accordingly.
The head of a camera team is the cameraman. He discusses all planning projects and shooting dates with the producer in advance. This includes, in particular, the selection of the necessary equipment. On location, the cameraman then works particularly closely with the director in charge.
The technical equipment required for camera teams differs depending on the area of application. For example, television cameramen need different equipment to their colleagues in the film industry.
A brief overview of the technical options available to a camera team:
Camera:
EB camera: Cameras for electronic reporting (electronic broadcast), suitable for quick shots, usually on the shoulder or a tripod, mainly for reporting (features, reports, news, etc.).
Studio camera: For broadcasting productions in the studio or outdoors, also known as a system camera. No recording option - the signals are forwarded to the base station, to which various operating devices are connected.
ActionCam: Ideally suited for special shots, but the camera operator cannot influence the image composition (sharpness, brightness, setting sizes, etc.).
DSLR camera: Digital single-lens reflex camera, combination of camera and camera, more complicated handling than a normal film camera, high-quality sound only possible via external technology.
Special cameras: Cameras designed exclusively for specific areas (cinema, feature films, underwater, drones, etc.).
Light:
Three-point light: For perfect illumination of people, two small compact spotlights from the front, one from behind.
Spotlights: For the illumination of (large) objects, correspondingly powerful spotlights.
Sound:
Clip-on microphone: Attached to ties, blouses, lapels, etc.; delivers clean sound, but cannot be hidden visually.
Neckband or headband microphones: Mainly used in the theater or at conferences, visually conspicuous and not suitable for film production.
Sound boom: Microphone attached to a fishing rod, is guided by the sound technician close to the actor's head and is not visible to the camera.
There is also an immense amount of other equipment (tripods, lenses, memory cards, batteries, etc.). The camera team has to deal with a broad field of activity.
At Jobwork you will find all the relevant information about the exciting field of the camera team.
The abbreviation "EB" stands for electronic reporting - which explains the main difference between the two terms. EB teams work in the news sector and produce magazine articles, features, documentaries or reports. They clearly do not deliver cinema quality. Traditionally, an EB team consists of two people: A cameraman and an assistant.