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A lighting double is basically nothing more than a placeholder for a film actor, a guest in a TV production or a performer on stage. The lighting double is used to find the optimum lighting and perfect camera placement for the actual star or main actor. In contrast to a normal double, the lighting double is only used when the camera is not running. In the theater world, lighting doubles can also be found as lighting extras during dress rehearsals.
In English-speaking countries, the lighting double is known as a stand-in. In German-speaking countries, the term "Strohkandidat" is often used. Both terms are one hundred percent synonymous with lighting double.
Acting talent or corresponding training is not a prerequisite for a lighting double. Although they can be an advantage, they are not a basic requirement. Other aspects are much more important for a good casting candidate.
The agencies select according to the following characteristics:
Likeness: the light double must clearly resemble the person to be represented in terms of physique and skin tone. For example, if the actor has a beard, they will also look for a light double with a beard.
Personality: Things are often hectic on a film or TV set and the pressure is high. A lighting double must be able to cope well with this stress. A communicative and self-confident appearance makes this task much easier.
Agility: A lighting double usually doesn't just stand statically in one position, but must be able to imitate the star's movements. Good body control is an advantage here.
Like an acting career, the path to becoming a lighting double leads via a casting or modeling agency. Their tasks also include the placement of stand-ins and straw candidates. As in the case of models or actors, agencies create a database of light doubles and contact applicants if there is a need.
Although the job of a stand-in is not particularly well paid, there are numerous other benefits that make the job attractive.
A look behind the scenes: As a lighting double, you get an insight into the workings of the TV, film and theater world.
Connections: On film and TV sets or around a theater stage, there is a good opportunity to meet interesting people who can be useful in the course of your career. Working as a lighting double is the perfect networking opportunity.
Personal connection: Numerous celebrity actors often work with their stand-ins for a very long period of time. This makes many processes easier because a new lighting double does not have to be trained for every project. In addition, a close personal bond often develops between star and stand-in.
Lighting doubles are always in demand in the entertainment industry and play a correspondingly important role at Jobwork.
The pay for a light double is not high and it is very difficult for a stand-in to live on this salary alone. However, the position of light double is undoubtedly attractive as a side job.